Think about the levels of emotion in the piece where does the character start? Where do they end up? It’s vital to really break down and think about the way the piece flows, how emotions are changing or what is being realised, discovered or dissected in the language. Stick to the brief! Introduce or look for levels ![]() A scene from your favourite film is also probably inappropriate. He also warns: “Don’t eyeball me!” Your panellists will want to make notes, so staring them down may make them a little uncomfortable, “ above the panel’s eye-line is fine.” Pick from a playĭon’t do a song or recite a poem, or do anything else that is not a play, unless that’s what has been asked for. “You’re only ever talking to one of four things: yourself, the audience, another character or god - be clear who you are speaking to,” Joe says. Don’t stare down the panel - pick a specific point for delivery!ĭecide who you are directing the monologue to - is it someone in the audience, is it a spot on the wall? Wherever you need to direct it, keep it consistent. “We notice how people present themselves,” says Joe, so make sure you’re ready and appearing as professional as possible. Make sure you’re aware of how you are behaving before you even get started. We went along to hear all his great advice on how to get your monologue into the best shape possible, and nail that audition! Avoid fidgeting beforehand Tips for Performing Your Best Monologue Monologue tips from Guildford School of Acting audition panellist Joe RichardsonĪt Spotlight’s recent Open House events, Joe Richardson led a wonderful session on auditioning for drama school.
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